As a child, I grew up on Bazhov's fairy tales from the Ural region of Russia, such as the Mistress of the Copper Mountain. As an adult, I've become convinced, as have those before me, that people of the West had lost their links to the archaic, by and large, pushing their myths deep into the subconscious, only to manifest in dreams or during the creative process. And even when we see patterns that resemble mythic beings, we focus on the scientific, not the symbolic.
So I imagined that the local mountain here has to have a Mistress, too, and I willed her into existence. (Admittedly, there likely are authentic Native American legends associated with this part of the Northwest with which I'm not yet familiar.)
Her base is rock on rock, as she is of the mountains, after all. I've deliberately used only local plants and tried to incorporate as many attributes from different seasons as were available.
The Mistress' dress at the neckline, for instance, is made of old, fragile leaves that survived the winter. They reminded me of intricate chocolate-tinted lace, as the closeup demonstrates. In contrast, her pink earrings are fresh flowers. Closed eyes: indifferent, asleep, or deep in thought? And, of course, the Mistress is not always amicable: hence the tiara made of prickly bur.
P.S. Music sets the mood, the tone, the pace. I've created this while listening to Creature Creature's Phantoms (and a bit of Light & Lust). Consider it an inspiration as well.