Normally, I prefer to capture landscapes with the broadest reach or the widest angle possible, often using a fish-eye lens. Yet, with all these late-autumn inversions (and partial inversions) in the mountains, I've changed my tactic a bit and switched to a telephoto. This way, I've been able to focus on the often-downplayed details, like the yellowing tamaracks reflecting in the water or the wispy clouds floating just above it.