Moonlapses

I've finally gotten around to assembling 'real' timelapses out of individual images that I've photographed. Naturally, I started with my favorite subject, the Moon. 

The individual photographs for the full-Moon video looked like this:

And the final product—like this:

Vine's square format is bothersome, but it seems to retain a slightly higher resolution than the Instagram version.

I photographed the second timelapse tonight and assembled it so as to resemble vintage sci-fi films (including the soundtrack). The individual images I shot look like this:

The final video turned out like this:

Yet again, the Instagram widescreen version is worth referencing in terms of the way this mini-film is meant to be seen, excluding the resolution reduction.

In Print

I've been able to see a lot of my work printed on a fairly large scale on canvas lately. (The image below contains both old and newer prints.) Seeing it in this format and in the context of interior design, to boot, is quite, well, inspirational and makes me want to keep going with what often is an unappreciated art.

Spring Is Here

I am one of those people, who cringes when someone announces the arrival of spring on March 1. "You are wrong! We've got three more weeks until the Equinox!"—I scream inside my head taking this as a personal offense. I like to be astronomically organized, you see.

And yet, when spring seems to have arrived in the Rockies early this year, whether due to climate change or simply a fluke, I was secretly happy.

This is not just about getting the necessary vitamin D from sunlight, but the return of color that every photographer prefers. (Well, except for those, who exclusively shoot in black and white, but I'm not one of them!)

Welcome, spring!